Pencil Shavings
Showing posts with label comic. Show all posts
Showing posts with label comic. Show all posts

Saturday, December 19, 2009

Logicomix: An Epic Search for Truth, by Apostolos Doxiadis and Christos Papadimitriou


This graphic novel is about the life and work of Bertrand Russell, a logician whose search for the foundations of Mathematics led to the formation of analytic philosophy. He is famous for the paradox he stumbled upon (known to us as Russell's paradox), which in layman terms goes something like this.
Of all the books in the world, there are those that are refer to themselves in the text (self-referential) and those that don't refer to themselves. If I were to compile a catalogue of all books that are NOT self-referential, would the catalogue contain an entry of itself?

Therein is the conundrum: if the catalogue were to list itself, then it is no longer not self-referential; but if it did not list itself, then it is not a catalogue of books that are not self-referential!
In Mathematical language, the catalogue is "the set of all the sets that are not members of themselves". Of course this seems kinda mind-boggling that a set could be a member of itself, but when you think of specific examples it is not so weird. For example, a set of all ideas is an idea and so the set would contain itself, but a set of all birds is not a bird and so it won't contain itself. (Of course the practical functions of sets in Mathematics befuddles me...)
This comic is thought-provoking. While this comic is about logic, philosophy and Mathematics, the authors are emphatic that it is not a "Dummy's guide to logic" in pictures; instead, they say that it is a story where logicians are the superheroes, or to be precise, a tragedy. This is a most interesting way of seeing itself because the book then becomes a reflection of the struggle of the protagonist — the struggle between reason and passion, logic and madness. It could be said that tragedy can only occur with paradox and conundrum, yet these are the very things that Bertrand spends his life's work trying to solve. Does he solve his own paradox? What is his personal resolution?
At the end, Russell felt like a failure. Ludwig Wittgenstein's clever sidestep of Russell's paradox in his "picture theory" (where the world is modeled by language), in addition to the Kurt Godel's devastating Incompleteness Theorems, which pretty much says that it is impossible to prove all arithmetic proofs, which was what Russell spent 20 years trying to do, meant the end of Russell's lifelong quest for the foundations.
Yet, there is transcendence. Russell doesn't succumb to his arch-enemy, madness (not for long, anyway), but he quotes his protege Ludwig Wittgenstein near the end of the comic: "All the facts of Science are not enough to understand the world's meaning". The comic ends with Athena's resolution of the dilemma in the old Greek myth "Oresteia", which is a grand way to end a paradoxical tragedy about logic.

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Saturday, January 05, 2008

Invisible People by Will Eisner



I am so impressed with Eisner's ability to pick up an ordinary black ink pen, sketch a few lines, and create such expressive and unique characters that seem to jump out of the book. Eisner is considered as one of the early shapers of the genre, and rightly so, because not only did he draw, he weaved stories.

Invisible People is part story, part social commentary. It is about the anonymous faces in every crowd, the "invisible people" we pass by every day. Eisner tells the story of three "invisible people": Pincus Pleatnik, the man whom the world pronounced dead; Hilda Gornish, a spinster involved in a perverse romantic triangle; and Morris, a man who was blessed with the ability to heal others.

I liked the first story best because of its poignancy and tragedy. What happens when an ordinary man, someone who shunned the limelight, suddenly realises one day that the world thinks he is dead? A curious thought, isn't it?

Invisible People is very readable — I mean, it is a comic book! — but the content is serious. It is like a parable in pictures. It is a great resource for teachers actually. Lit teachers can use the first story to introduce foretelling or tragedy; GP teachers can use it to introduce social issues.

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Saturday, May 26, 2007

The Tragical Comedy Or Comical Tragedy Of Mr. Punch: A Romance

"The path of memory is neither straight nor safe, and we travel down it at our own risk. It is easier to take short journeys into the past, remembering in miniature, constructing tiny puppet plays in our heads. That's the way to do it."

"That's the way to do it" has an eerie ring in this graphic novel by Neil Gaiman and Dave McKean. When Mr. Punch kills the beadle, he yells out "at'sthewaytodoit!" The puppet show is damn eerie manz. Mr. Punch throws his baby out of the window, cudgels his wife to death, and even kills the devil himself.

Mr. Punch is about how we form our childhood memories. The narrator remembers his childhood in bits and pieces that don't make sense. He remembers a heart ice-lolly that costs a shilling, the feeling of a crocodile puppet coming to life, the reassuring bulk of his grandmother on a stormy night, the colour of the sea, but like Humpty Dumpty, he can't fit the pieces together to make it make sense.

This shroud of incomprehensibility is aided by the dark and shadowy background McKean uses. The only characters that are composed from real elements are the puppets, making them seem larger than life in the memory of the narrator. Real life gets interwoven with the puppet show, and both are infected with fantasy. How else do you fit a naked mermaid sitting on a rock in a run-down amusement park?

An excellent review here.

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Sunday, May 20, 2007

The Quitter by Harvey Pekar



The Quitter reminds me Will Eisner's To the Heart of the Storm, except that I think Eisner's was better. I didn't really enjoy this one. The blurb says it is funny and heartfelt, but I just didn't feel it. Maybe because it is a "boy's story"? Who knows.

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Sunday, April 22, 2007

A compendium of books

Because I haven't had time to blog about these individually, here is a list, tinkertailor-style.

Watchmen by Alan Moore is a classic. The anxiety of the '80s pervade this collection, affecting even the superheros. It is a story about superheros, which really isn't so much my kind of thing. Isn't it awful that I have such stereotypical taste?






With Endless Nights, I've finished The Sandman Series, and what a strange, wonderful, fantastic journey it has been. Each of the seven Endless is given a tale to tell in this volume. I love Death's story. Despair's I read quickly, afraid of her hook that snares the heart. The artwork is drool-worthy.






I'm about half-way through The Sandman Companion by Hy Bender. Did you know that there is a DC universe of characters? Did you know that if one character dies in one story, he dies in all? Strange isn't it? This is one of those behind the scenes book. Great for juicy tidbits. Die lah, I think Elle is right, I am a 30 year-old fan!




The Dream Hunters was created by Gaiman as a 10th anniversary volume in celebration of The Sandman series. It isn't a comic but an illustrated story. It is about a monk, a fox, and the Sandman of all-night dreaming. It reads fast.





And that's about it, my narrow scope of books.

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Saturday, March 24, 2007

Understanding Comics by Scot McCloud



This is a pretty amazing book that tells you exactly how comics work.

But I am too sleepy to say much else. Other than that the pyramid is cool (retinal edge, conceptual edge and the language border) and the idea that the more iconic the drawing, the better readers can relate to characters.

Did you know that both Tintin and Asterix use detailed background and iconic characters to emphasise the otherness of the setting and the inclusiveness of the characters?

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Death: The time of your life by Neil Gaiman


Don't be fooled by the title. This is a feel-good comic.

Starring Death, Hazel and Foxglove, what is there not to like?

I was going to buy "Death: The high cost of living" but Kinokuniya had no stock so I bought this instead.

No regrets.

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Saturday, March 17, 2007

The Sandman, The Kindly Ones, Vol. 9



Now I know how it ends. Sigh.

The Kindly Ones is the grand finale of an intricate and fantastic masterpiece crafted by Neil Gaiman. It makes a reader want to stop and gape at the scope of his imagination and his craft in putting it altogether.

I am still missing pieces of this jigsaw: Season of Mists and Fables & Reflections. Neither have I read the two that come after The Kindly Ones—what a misfit for a name!—The Wake and Endless Nights. But I will get to it soon enough.

I don't particularly care for the style of artwork that is predominant in this volume. It is the kind of artwork that is more abstract that realistic, using bright colours and two-dimensional shadowing to evoke emotion. It is a bit like Japanese anime with the !!!! above the heads, if you know what I mean. Regardless, the pictures still made me want to cry.

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Thursday, March 15, 2007

The Sandman, The Doll's House, Vol. 2



One of the disadvantages of borrowing The Sandman from the library is that it is impossible to read it in order. Instead, I read it in a haphazard way, pouncing on whatever I can get my hands on first.

Doll's House
is Volume 2 of the series and introduces many of the key characters in later volumes. (Except for me, it is more like Star Wars I, II, III that came after parts IV, V, VI.) Rose rises to prominence in this volume, as does The Corinthian. Even Mad Hettie and Barbara, along with Martin Tenbones, get a mention.

It is a pretty intricate story.

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Sunday, March 11, 2007

V for Vendetta by Alan Moore and David Lloyd

In the aftermath of a nuclear fallout that destroys Africa and most of Europe, a fascist government comes to power in the United Kingdom. This government systematically destroys all vestiges of culture, music and art, and sends the blacks, Asians, gays, and marginalised to the gas chambers.

In one of the resettlement camps, poisonous drugs are given to the prisoners in an experiment. Most die; but not the man in Room V. This man becomes the man behind the painted smile.

V for Vendetta is a critique of society and a vision of what it should be like. There is a moving letter written on toilet paper by a gay woman whom we never meet that describes human dignity and freedom as that "inch" deep inside her that no one can ever take away. Anarchy is reconsidered in light of freedom; murder, in light of a new ordering of society.

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Thursday, March 08, 2007

The Sandman, World's End, Vol. 8

Stranded by a reality storm, a group of travellers take refuge at an inn at the end of the world and tell stories to while away the time. There is a story about a city that sleeps, a young sailor who sees a huge sea serpent, a boy who becomes President and a city where the only profession is to bury the dead.

The story about the boy named Prez runs parrallel with the story of Jesus Christ—the naming of the child, the temptation, the miracles, the death—but at the end of the story, readers realise that there is no such thing as a "watchmaker", only the Prince of the World, Boss Smilely. Prez is saved by the King of Dreams and goes to visit other worlds. This idea of a multitude of worlds was also seen in "A Game of You", where an entire world passes away. I am thinking that this may be a cornerstone in Gaiman's philosophy in The Sandman series: this sense of multitude, plurality and diversity. I wonder how this Series will end...

The stories about Necropolis are probably my favourite just because they are so strange. Necropolis is an entire city of people specialising in the burial of the dead. The dead are shipped to this city and the inhabitants dispose of them according to the rituals of the client. After an air burial, the grey-faced people sit down and eat a sandwich and tell a story each, a story that is embedded in the story that a traveller tells in the inn, that is embedded in the story Gaiman tells. Amazing. In fact, one of the storytellers in the burial party tells a story which includes a lady that tells her own story within it. Makes a person as dizzy as running blindfolded in a catacomb.

The last scene in the night time sky is moving in a mysterious way. I still don't know who the funeral procession is for, and I am almost afraid to find out. Time will tell.

[In other news, I read another comic Black Orchid by Dean McKean and Neil Gaiman which I didn't care for at all. I think I'm not a fan of the superhero.]

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Friday, March 02, 2007

Persepolis: The Story of a Childhood by Marjane Satrapi



This is the memoir of a girl growing up in Iran during the Islamic Revolution. In powerful black-and-white comic strip images, Satrapi tells the story of her life from ages six to fourteen, years that saw the overthrow of the Shah's regime, the triumph of the Islamic Revolution, and the devastating effects of war with Iraq.



It is unsettling having things you read about in the papers fifteen years ago as a child––distant, vague words like "scuds"––having a direct impact on a real girl, only eight years older than I am.

The graphics are stark and powerful. A little downturn of the eyes in one, a jagged lying mouth in another, or a pane filled in completely in black (see bottom right pane on the left) evokes the full spectrum of human emotion made raw by turbulent times.

You can find it in the library here. I think I may buy this one. It is a keeper.

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Thursday, February 08, 2007

Death: The High Cost of Living by Neil Gaiman

You've got to admit that Death, as personified in this series, is pretty hot.

Gaiman toppled the traditional image of death as a hooded man in black carrying a menacing scythe in his creation of Death (see picture on left). For starters, she is always smiling.

Can you beat that?

And she has a genuine empathy for people, going about her work with a cheerful mercy.

Every century, Death gets to be mortal for one day so she can better understand human beings. This issue is the one day.

Download the issue here! How cool is that!

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Monday, February 05, 2007

The Sandman, A Game of You, Vol 5



In the afterword, Neil Gaiman says:

I spent more than half a year with Barbie and Wanda and Hazel and Foxglove and Wilkinson and Thessaly and the rest of them wandering around in my head.

Some nights I still miss them.
I kinda miss them too.

This is a thought-provoking series that I can't quite wrap my mind around yet. Barbie has stopped dreaming and the land of her dreams is dying, and she needs to go save it. But the boundary between the dream world and the "real" world is non-distinct. In fact, Gaiman suggests that they occupy the same space.

It is about gender and identity, names and perception, with an ending that is both sad and curious. I don't suppose I can say any more than that.

To Wilkinson! All seventeen of them!

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Sunday, January 28, 2007

The Sandman: Dream Country, Vol. 3



I love the weekend. Today we celebrated a friend's birthday with chilli crab, awfully chocolate cake, ice cream, and wine. I got to hang out with old friends and talk with my sis on Skype. And I had enough time last night and this morning to finish reading this comic by Neil Gaiman.

At this point, I can truthfully say that I am happy.

Volume three explores where great writers get their inspiration from. The Sandman, being the source of dreams, is the source of inspiration for all the great works created by men as well. It is kinda mind-boggling 'cos if the Sandman inspired Shakespeare, did he inspire Gaiman to write the story you hold in your hand as well? It is a little like looking into a pair of parallel mirrors with images retreating into infinity.

This volume includes the original script for "Calliope" and it is interesting to see how a comic gets written. It is rather detailed work and requires a lot of cooperation between the writer and the artist. It is also congruent to include the script in this particular volume since the theme of this volume is the process of writing stories, and the script gives a backstage look at this process.

Art is the translation of memoirs, history, and human experience into stories that never die because their truth echoes through time. And The Sandman series is art.

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Monday, January 22, 2007

Fables: Storybook Love, by Bill Willingham


This is the fourth comic this week. Possibly too much, considering that the first one I've read in my life was on Wednesday.

Storybook love is volume three is the series Fables. I am not used to how quickly and easily characters are done away with in this series. I'm used to story lines that take a long time to ripen, where protagonists hang around till at least the end of the novel. But graphic novels excel in the absurd. Who knows if they won't return in the next volume?

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Saturday, January 20, 2007

The Sandman: Preludes and Nocturnes, by Neil Gaiman


What if my dreams came true?

It is a scary thought. I don't think I would survive it. My dreams have a pattern running through them, recurring themes that I can't shake off: love, guilt, fear... and if what I dreamed were real, I would go mad.

For that reason, Preludes and Nocturnes is a scary book. In his afterward, Gaiman describes the stories in this series:


"The Sleep of the Just" was intended to be a classical English horror story; "Imperfect Hosts" plays with some of the conventions of the old DC and EC horror comics (and the hosts thereof); "Dream a Little Dream of Me" is a slightly more contemporary British horror story; "A Hope in Hell" harks back to the kind of dark fantasy found in Unknown in the 1940s; "Passengers" was my (perhaps misguided) attempt to try to mix super-heroes into the SANDMAN world; "24 hours" is an essay on stories and authors, and also one of the very few genuinely horrific tales I've written; "Sound and Fury" wrapped up the storyline; and "The Sound of Her Wings" was the epilogue and the first story in the sequence I felt was truly mine, and in which I knew I was beginning to find my own voice.
Did you notice how many times the word "horror"appears?

I had a weird thought. There is a very thin line separating fantasy from theology. The characters of fantasy are heaven and hell, demons and angels, death and salvation, mortals and gods—well, it is the same with theology. (Theology would quibble about the plural used in "gods" but it does have father, son and holy spirit after all.)

I think I'm out of my depth here, so forget about that last paragraph.

I wonder what I'll dream about tonight.

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Fables: Legends in Exile, by Bill Willingham


I bought my first graphic novel: Fables Vol 1, Legends in Exile.

It's so fun to own a comic book. It is like owning a piece of art. I hope I don't get hooked to this feeling 'cos it will prove an expensive hobby.

Fables is about a bunch of fairy tale characters who are in exile in our world, specifically New York. We have the big bad wolf, little red riding hood, the witch in the forest, bluebeard, the three little pigs, Pinocchio, Snow White, etc. going incognito among the Mundanes, i.e. the regular human folk. Volume 1 is about a crime committed in the fable community.

It is available in the library as well, if you would like to thumb through it without having to put up good money, but I'll appreciate it if my hordes of readers (*cough*) will leave me at least one copy. I don't like leaving the library empty-handed. ;) And I really need save myself from the addiction of buying comic books.


(Fables is written by Bill Willingham, Penciled by Lan Medina, Inked by Steve Leialoha and Criag Hamilton, colored by Sherilyn van Valkenburgh, Lettered by Todd Klein, and given covers by James Jean and Alex Maleev. Phew. What a lot of folks it takes to make a comic.)

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Wednesday, January 17, 2007

Brief Lives, by Neil Gaiman



I now know why books in this genre are known as "graphic novels".

But I think I am finally getting Neil Gaiman in his element. He is imaginative, sensual and his work is driven by plot. I love the brooding Morpheus and the Lady Delirium who makes little coloured mushrooms and frogs sprout wherever she sits. It is amazing what a picture can do. For example, Delirium is always drawn in a whimsical pose: she is sprawled on the floor, or her arm is over her head, or she is surrounded in a multi-coloured realm with frivolous and fantastic bits and pieces. Even her eyes are different coloured!

I like Barnabas too, the sarcastic talking dog. He's cool. Isn't it interesting that Barnabas means "son of encouragement"?

It is so much faster to go through a comic than a novel.

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