The blurb on Singapore Film Society's website:
This film comprises the stories of various families dealing with death inside a hospital – a young father dying slowly, an elderly couple in separate hospitals who want to be together and a woman who fights to stay alive. Ichikawa deliberately shoots his actors' fine performances from a distance – middle and long shots, no close-ups – painting a realistic picture of people dealing with death. Interspersed with these stories are lyrical montages of life outside the hospital. The end result is a hopeful yet sensitive treatment of life and living. By Ichikawa's own admission, this is “perhaps the closest [he's] come to an Ozu movie”.
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